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For 100 years, Steuben glass has represented the epitome of American crystal. This volume, revised and updated to celebrate Steuben's centenary, traces the company's history. Mary Jean Madigan provides an illustrated identification guide to virtually all Steuben pieces made since 1933, from one-of-a-kind museum objects to functional items such as glasses, candlesticks, bowls and vases.

• Sales Rank: #2113751 in Books
• Brand: Brand: Harry N Abrams
• Published on: 1982-10
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 340 pages

Features

• Used Book in Good Condition

About the Author
Mary Jean Madigan has been a writer and editor for twenty-five years, focusing on decorative arts and design. Over the years, she has served as editor in chief of Art & Antiques, Hospitality Design (where she was also publisher), and Interiors magazines, and she is currently New York editor for Visual Merchandising + Store Design. She writes for a number of design-related publications and has authored or edited several books for collectors including Early American Furniture and American Folk and Decorative Art.

Most helpful customer reviews

7 of 7 people found the following review helpful.
The major reference book on the subject.
By John Neagle
If you are a Steuben enthusiast this book is a necessary addition to your library. If you are a collector you will find the line drawings of all of Steuben's crystal pieces an absolute must as there are many fakes on the market. The photographs and text are outstanding. All in all, this is the Bible of Steuben glass.

20 of 20 people found the following review helpful.
Still The Essential Reference Work for clear Steuben Works
By Craig Ball
If you are a Steuben collector or simply one interested in the history and work of America's preeminent producer of fine crystal, Ms. Madigan's book is an essential and interesting reference work. The book features many beautiful photographs of important works by Steuben's best designers. The book's most valuable feature for collectors is its comprehensive catalogue of some two thousand Steuben items produced during the years 1933-1981. Although most stock pieces are represented only by line drawings and key dimension (rather than by photography), the information furnished is usually sufficient to facilitate identification of Steuben products, if not especially helpful on issues of valuation. If you love Steuben, you will want to own a copy of this book.

5 of 6 people found the following review helpful.
gorgeous book
By ZED
Unfortunately the book entries end (was published) in 2004 and was not updated, while Steuben ended in 2011. I was told that the possibility of an update is NOT likely. So a lot of stuff is missing. However, one can learn from this book. For ex. Several smaller pieces which were once LE (limited editions) were being re-made as recently as 2011, and not as LE's. THAT was a real revelation. Several gorgeous larger pieces were made more recently in places like Portugal, and they are not in the book that way. Several larger pieces, more recently were stamped, pressed, and not made totally off-hand, although they apparently were hand-finished.

Also, the prices in the book are soooo much lower that what Steuben was selling the stuff for during their MAJOR end-of-life sale. It was a shocker. And though Steuben kept lowering the prices, they were still so much more than what the book had them for.

And, the organization of this book is odd. There are dedicated sections to certain types of items, but the definitions are not very clear as to what these distinctions are!? a bit hard to figure out unless you spend time going through carefully. It took me quite a while to figure out the re-issue of the LE's for example!

Lovely, timeless photos of gorgeous glass make it a special book. Dear old Steuben...must be turning in his grave.

Buy it if you want to see the classic, classy Steuben, which was once a big attraction on NY's Fifth Ave...the gift to kings, heads of state, and popes...as HAND-MADE IN AMERICAN, many pieces often unique.

I myself bought some of these newer, and a couple of the older style pieces, and they're ALL still beautiful, crystal clear glass, with ATTITUDE!

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@ Fee Download Claude Monet: The Painter Who Stopped the Trains, by P. I. Maltbie, Jos. A. Smith

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Young readers will learn how Claude Monet came to paint trains as well as how he forever changed the minds of critics about his art and about the Impressionists in general. When his nine-year-old son raves over trains passing by in the countryside, Monet wishes his own art could excite critics as much as trains captivate his son. The book explains his painting technique, how critics viewed him and the other Impressionists, and how he came to paint trains.

 

Jos. A. Smith’s beautiful illustrations are paired with P. I. Maltbie’s comprehensive text to create an inspiring tale of Monet. The book also includes an author’s note, reproductions of some of Monet’s paintings, a time line, a list of North American museums that house Monet’s paintings, a bibliography, and an index.

"A handsome and child-friendly introduction to the Impressionist master. The narrative works well, and much information is thoughtfully, accessibly presented." –Kirkus Reviews 

"Smith expertly illuminates the changing landscape of an evolving world, as Maltbie's thoughtful story of inspiration and imagination highlights a less remembered portion of Monet's work." –Publishers Weekly

• Sales Rank: #524653 in Books
• Brand: Abrams Books for Young Readers
• Model: FBA-|320599
• Published on: 2010-09-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .50" w x 10.00" l, 1.16 pounds
• Binding: Hardcover
• 32 pages

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• Great product!

From School Library Journal
Gr 2-5–A fictionalized account of Monet's son's enthusiasm for trains serves as the inspiration for the artist's real-life endeavor to paint steam engines arriving and departing the Gare Saint-Lazare, capturing the light and atmospheric conditions at various times of day. Along with a lively telling of how Monet convinced the station's director to delay departures so he could paint, the thoroughly researched narrative provides an introduction to the Impressionist style, emphasizing that it was radically different from the realistic paintings favored at the time. Large, Impressionist-inspired watercolors complement the text, allowing readers to examine individual brush strokes and consider what sets Impressionism apart from other artistic styles. The book's art historical details combined with its vivid illustrations make it an appealing read-aloud. This title is also an accessible option for biography reports, though its scope focuses on a particular moment in Monet's career, rather than a life story. End pages include author's and artist's notes and a guide to Monet's paintings in U.S. and Canadian museums. While this book may not hold wide appeal for a casual audience, it is a solid choice for academic use.Allison Tran, Mission Viejo Library, CA
© Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
Offering another engaging and perceptive historical reconstruction along the lines of her Picasso and Minou (2005), Maltbie highlights a watershed event in the life of Monet and the history of impressionism. Inspired by his son’s enthusiasm for trains and hoping to sweeten the hostile critical reception his work has been receiving, the painter created a series of scenes set in Paris’ first train station, the Gare Saint-Lazare. Maltbie grounds her imagined scenes in actual incidents (including the clever ploy that Monet used to secure official permission to delay some trains so that he could catch them in just the right light) in a narrative that concludes with the paintings’ popular success. She also closes with an illustrated explanatory note and useful lists of museums and audience-appropriate print resources. In a set of large, richly hued watercolors, Smith displays his usual facility for naturally posed figures in accurate period dress and places them against (what else?) impressionistic backgrounds. A very good introduction to both the artist and to the movement with which he is associated. Grades 3-5. --John Peters

About the Author

P. I. Maltbie writes biographical stories and articles focusing on issues related to disabilities. She lives in Long Beach, California.

 

Jos. A. Smith is a well-known illustrator of children’s books, including Gregor Mendel. He is a professor of fine arts at Pratt Institute. He lives in Easton, Pennsylvania. Visit him at www.josasmith.com.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Impressionist Artist
By Catherine W. Hughes
Called an impressionist by art critics, Claude Monet was one of the first painters to paint what he perceived, with a focus on light and color. When asked to join an exhibit of impressionist painters, Claude decided to paint several paintings of trains. With the permission of the director of the Saint-Lazare station, Claude Monet delayed the departure of some of the station's trains, so that he could paint. The paintings of trains were well-received by the public, as images of modern life. After the show, Claude sold the paintings to an art dealer, leaving him money to paint the gardens and countryside of his home. Children ages 6-9 will appreciate this story book about a famous artist, learning about impressionism and art in the late 19th century.

2 of 2 people found the following review helpful.
Nice intro to Impressionism
By Bewildered Mom
Jos. A. Smith illustrates this book with beautiful watercolor paintings of the artist Claude Monet and his world. The characters are surrounded by gorgeous landscapes and rendered in colorful period clothing, their faces brimming with personality (the rotund Monsieur le Director is my favorite).

The only disappointment is the lack of actual Monet paintings. The author's note has only two very small reproductions of his work and just one is from the Gare Saint-Lazare series, which is the focus of this book. This story is great, but must be read in conjunction with a quality art book of Monet's paintings.

1 of 1 people found the following review helpful.
Not what I was looking for
By Anne Boynton
I purchased this before I had a chance to see it -- and I am sorry I did. I was looking for a shorter supplement about Monet to complement "Linnea in Monet's Garden" -- and I am still looking for one I want to retain on the bookshelf.

Pros: shows Monet was not just about flowers. Train lovers will understand the train enthusiasm of both Monet and his young son. My 4 yr old has picked it off the bookshelf several times, so she approves. Monet pursues his project with determination and is willing to ask for help to make his vision a reality.

Cons: illustrations don't appeal to me at all, especially the faces, which seem flat, heavy and sometime almost distorted. The text, while shorter than "Linnea" is still a very long read. The author uses the first name of the adult painters (ie "Claude" not "Monet"), which I find an odd choice since I am trying to enhance name recognition -- and respect.

And then there are the underlying messages of the book:

1) Monet uses fancy clothes and self assurance to bamboozle the art-ignorant station master into cooperation with Monet's plan. Message: use bluster, bluff, and (the appearance of) wealth to get what you want?
2) the station master is motivated not by quality of service but by vanity. Message: our goal is to be glamorous and high profile, not efficient and of service to others?
3) Monet puts his desire for a longer look at a given train above the needs of all the train riders, apparently without any remorse for the inconvenience he is causing. Message: our personal needs and wishes are more important than the needs of others, even many others?

These are NOT the messages I want to uphold as examples for my daughter.

The story represents Monet choosing trains as a subject which might help the art critics like his work better. I wonder if that was actually Monet's motivation to start the series. If so, it certain sends a mixed message -- paint what you love... Or what your critics might not skewer.

Only 2 small images, in the "Notes" page, show any of Monet's actual work, minimizing the usefulness of the book for visual familiarity with Monet's work.

I picked THIS Monet book out of the rather long list of options because it was written by PI Maltbie, whose "Picasso and Minou" is absolutely terrific. Try that one instead!

This book was not what I was looking for, and despite my own train enthusiasm, I expect to take this off the book shelf.

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!! PDF Ebook Cirque Du Soleil: 20 Years Under the Sun - An Authorized History, by Tony Babinski

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An anniversary tribute to the sophisticated circus extravaganza shares the story of founder Guy Lalibert , charts its rise from a humble performing group to international success, and features color photographs of each production including Saltimbanco, Myst re, Varekai, and "O." 25,000 first printin

• Sales Rank: #388508 in Books
• Brand: Brand: Harry N. Abrams
• Published on: 2004-11-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 1.63" w x 10.13" l, 5.43 pounds
• Binding: Hardcover
• 352 pages

Features

• Used Book in Good Condition

From Publishers Weekly
In 1984, native Quebecois Guy Laliberté decided to turn his annual street performance festival into a traveling troupe. Though the troupe originally planned to perform for only one year as part of the 450th anniversary celebration of French explorer Jacques Cartier’s discovery of Canada, it took on a life of its own and has since drawn crowds in major cities all over the world. It’s hard to imagine that a company known for its amazing acrobatics and pyrotechnics started out as a loose band of stilt-walkers and fire-breathers, but this elaborate retrospective has the pictures to prove it, as well as interviews offering insight into the exotic world under the big top. The book traces Cirque du Soleil’s history in almost excessive detail; the first section, in particular, is an exhaustive record of all the work it took to get the project going. The chapters that follow describe, largely in the words of company members, each show Cirque du Soleil has produced, from the concepts that inspired them to the props used in their realization. In a chapter on the production of "Quidam," for instance, director Franco Dragone talks about how he wanted "to move away from the more fantastic textures of Cirque’s previous shows... and get back to the feeling of uncertainty and danger" that once motivated the troupe, and costume designer Dominque Lemieux discusses the influence that artists Delveaux and Magritte had on her designs. The photos are brilliant, capturing both the inner-workings of the various troupes and the grandeur and mystique of the performances themselves. Though still pictures and text will never match the magic of a live show, this is a fascinating look at a group that has captured imaginations around the world.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–From one man on stilts walking 56 miles in 22 hours to gain a little attention to an international entertainment corporation with nearly a dozen shows running concurrently around the globe, the history of Cirque du Soleil is one of the brightest chapters in the chronicle of 20th-century entertainment. The story begins with a ragtag coterie of young street performers in Quebec province that, after a shaky start, achieves worldwide admiration and success. The driving force behind this inspiring tale is former fire-breather Guy Laliberte, whose rare ability to balance creativity and business has guided the fast-growing enterprise in ways that please the eyes and ears of the artist as well as the bottom-line concerns of the banker. This hefty volume is worthy of its exhilarating subject. Cirque du Soleil is part circus, part theater, part dance, and 100 percent exotic entertainment. Colorful, amazing, dramatic, and thrilling are a few of the words on the lips of those leaving a performance. And these words are equally appropriate when describing this book's design and execution. The color photos are plentiful and captivating, the drawings enchanting, and the text illuminating. The book is a masterful representation of the first 20 years of a masterful entertainment company. It will be appreciated wherever the circus is loved, which is just about everywhere.–Robert Saunderson, Berkeley Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Cirque du Soleil is based on a paradox. Today, Cirque du Soleil is an international entertainment corporation, albeit a nonprofit one, with 11 shows currently running around the world, and a team of what the Disney folks call imagineers working in a huge headquarters in Montreal. Yet its roots couldn't be more countercultural. The circus was founded in the early 1980s in a provincial corner of Canada by former itinerant street performer Guy Laliberte and a ragtag group of performers and circus artists, all of whom believed in following their bliss in a very hippieish, anarchistic way. This gorgeous, well-designed, well-executed book chronicles the history of this phenomenal circus, starting with its precursors--Guy Caron's National Circus School in Montreal and the various creative events and happenings staged in the 1970s by Laliberte and others--and following the rise of the circus from its shaky start (and near demise) to its current international prominence. Printed on heavyweight, glossy paper, and packed with beautiful color photographs. Jack Helbig
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 1 people found the following review helpful.
Cirque Du Soleil
By Joy
Bought this for a friend who saw this show perform and he loved it and all the information in the book.

11 of 15 people found the following review helpful.
A Book for Cirque Buffs
By Carsten Cumbrowski
[[VIDEOID:27953601]]Cirque Du Soleil: 20 Years Under the Sun - An Authorized History - my first product review video.

9 of 9 people found the following review helpful.
Kind of like a yearbook
By Gregory Fuchs
Have seen 8 or 9 different Cirque shows. Even met their talent scout at the Fringe one year. Part of this book tells the history of Cirque du Soleil, which was very interesting. The part on the individual shows was more like a yearbook. Didn't tell you enough about each individual show but supplied a lot of prompts to help you remember the show. Good coffee table book.

First saw the book at a Cirque show and thought: 'Hmmm, I could probably save some $$ getting this on Amazon.' Saved $20 U.S. and bought a couple of CDs.

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The Etruscans were the creators of one of the most highly developed cultures of the pre-Roman Era. Having, at one time, control over a significant part of the Mediterranean, the Etruscans laid the foundation of the city of Rome. They had their own language, which has never been totally decoded, and their art influenced such artists as Michelangelo. While the Etruscans were eventually conquered by the Romans, they left a rich culture behind.

The Historical Dictionary of the Etruscans relates the history of this culture, focusing on aspects of their material culture and art history. A chronology, introductory essay, bibliography, appendix of museums and research institutes, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions provide an entry into a comparative study of the Etruscans.

• Sales Rank: #6205765 in Books
• Published on: 2009-06-16
• Original language: English
• Number of items: 1
• Dimensions: 8.96" h x 1.06" w x 5.87" l, 1.45 pounds
• Binding: Hardcover
• 360 pages

From Booklist
Part of Scarecrow Press’ Historical Dictionaries of Ancient Civilizations and Historical Eras series, this book is significant because it is the only English-language dictionary (or encyclopedia) specifically covering Etruria. The Etruscans themselves developed a significant yet little-known culture typically viewed through its strong political and social influence on Rome, its southern neighbor and conqueror. Precursor to Rome and sister to Greece, Etruria is historically obscure. Stoddart’s dictionary does not attempt to detail every aspect of Etruscan culture and history, aiming instead to “cover the essentials in a more archeological and contextual framework than many Etruscan offerings,” making the dictionary of limited use to undergraduates while a necessity for specialists, graduates, and postgraduates. A 2-page chronology is followed by an 11-page academic introduction that “locates the Etruscans geographically and describes the workings of their society.” The introduction illustrates the reference’s archaeological framework as well as Stoddart’s aim, to conceptualize “Etruscan identity, ways in which individuals would have considered themselves, according to the context in which they found themselves.” The introduction is followed by approximately 900 entries that span from one sentence to more than 400 words, covering specific settlements and cities (and their related archaeological work), Etruscan achievements, and pioneering Etruscologists and their techniques. Veii is a typical entry, as well as an example of the references’ archaeological underpinnings, detailing the city’s important Villanovan material culture with only a mention of its historical significance. Researchers will delight in an extensive and thorough appendix of museums and research institutions coupled with a comprehensive bibliography. Recommended for libraries serving upper-division undergraduate and graduate students. --Charles Becker

Review
This is likely to prove a well-consulted title in many library collections. Students will welcome it as a source of factual material for their work, as will scholars as a means of quick-reference to confirm or discover information; it is also likely to prove of interest in general reference collections, given the widespread interest in an ancient mysterious people. (Stuart James Reference Reviews)

Give a vivid picture of new work on Etruscan (mainly) and Roman archaeology and material culture.... It is abreast of the most recent scholarship, and the entry for 'genetics' gives a concise summary of the present state of knowledge or ignorance.... The plus points of Stoddart's volume include the fact that it covers a period going back to c. 1700 BC and, with its prehistoric emphasis, it will be useful for its full listing of Bronze Age and early Iron Age sites. (Antiquity)

This book is significant because it is the only English-language dictionary (or encyclopedia) specifically covering Etruria....Researchers will delight in an extensive and thorough appendix of museums and research institutions coupled with a comprehensive bibliography. Recommended for libraries serving upper-division undergraduate and graduate students. (Booklist, Online Exclusive December 2009)

About the Author
Simon K.F. Stoddart is senior lecturer of the department of archaeology at the University of Cambridge and a Fellow of Magdalene College, Cambridge.

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An illustrated look at the history of jazz discusses jazz's birth, its coming of age between 1940 and 1960, the contributions of such jazz greats as Coltrane, Davis, and Mingus, and the various musical forms--from free jazz to fusion. Original.

• Sales Rank: #934602 in Books
• Published on: 1993-03-15
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x .50" w x 5.00" l,
• Binding: Paperback

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The personal papers of former members of Congress, which constitute at least half of the documentation of the legislative branch of government, are held in over 500 different institutions. An American Political Archives Reader performs the vital task of making these collections more accessible by presenting the best and most recent scholarship on congressional collections.

The articles contained in this volume guide archivists through the challenges of dealing with these voluminous, complex collections. For institutions developing their political documentary resources and working toward greater accessibility of political archives, this book provides much needed information and is a welcome handbook on the appraisal and preservation of political collections.

• Sales Rank: #4001089 in Books
• Published on: 2009-07-01
• Original language: English
• Number of items: 1
• Dimensions: 9.38" h x 1.38" w x 6.35" l, 1.89 pounds
• Binding: Hardcover
• 488 pages

Review
Have you ever been moved to send an author a hearty thank-you for his or her contribution to the field of archival literature? I conveyed such a message recently to U.S. Senate Archivist Karen Paul, one of the editors and contributors to An American Political Archives Reader....Any repository with congressional papers in its holdings should possess a copy....The current version offers a bounty of collective wisdom to explore, digest, and adapt to political collections at your institution. (Archival Issues)

The editors of this Reader used excellent judgment in including such a variety of contributions. ... these essays provide an invaluable introduction to the world of political collections and a how-to manual for processing and providing access to these collections. (Journal of Archival Organization, June 10, 2010)

This work is highly and enthusiastically recommended. (American Reference Books Annual)

An American Political Archives Reader is an important and long-overdue addition to the growing field of congressional archives scholarship. ... The document of Congress is a task as rich and varied as the work of the Congress itself. ... An American Political Archives Reader, we are moving toward a better and more accessible history of a complex system of governance. The Reader provides more essential information for archivists working with congressional collections and sets a high standard of quality for those that will follow. ... An American Political Archives Reader provides a strong foundation on which to begin that effort. (Morgan Davis, University of Kansas)

About the Author
Glenn Gray is archivist at the Central Valley Political Archive and the assistant special collections librarian at the Henry Madden Library at California State University.

Rebecca Johnson Melvin is librarian and coordinator of the Manuscripts Unit in Special Collections at the University of Delaware Library.

Karen D. Paul is archivist in the Senate Historical Office.

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@ Free Ebook The Fairy Tale Detectives (The Sisters Grimm, Book 1), by Michael Buckley

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With the winning combination of Nancy Drew meets Shrek, this first book in the new Sisters Grimm series will entertain with a hilarious mix of mysteries and fairy tale twists.

In the tradition of Lemony Snicket's Series of Unfortunate Events and The Spiderwick Chronicles comes a new humorous mystery of fantastic circumstances. The Sisters Grimm (Book One): The Fairy Tale Detectives introduces us to two orphaned sisters, Sabrina and Daphne, who are sent to live with their mysterious grandmother, Relda Grimm. Grandmother Grimm lives in a strange town in New York State, known for it's extraordinary number of unexplained and unusual crimes. As soon as the sisters arrive, they begin to unravel a mystery that leads to their ancestors' magical beginnings. Sabrina and Daphne learn they are descendants of the Brothers Grimm, who were actually detectives of the magical phenomenon perpetrated by the Everafters, a parallel race of magical beings. They soon discover it is the Grimm family's legacy to keep the Everafters in line and the two sisters are the sole heirs to this challenge!

In this first book in the series, the girls are pitted against giants, who have been rampaging through town in their search for an Englishman named Jack, currently working at the Big & Tall store.

In a new breed of mystery that intermingles humor, excitement, adventure and imagination, The Sisters Grimm Book One: The Fairy Tale Detectives will inject the legends of fairytale with modern day sensibilities and suspense, creating an irresistible combination young readers will love!

• Sales Rank: #725842 in Books
• Brand: Harry N. Abrams
• Published on: 2005-08-01
• Original language: English
• Number of items: 1
• Dimensions: 7.25" h x 1.00" w x 5.75" l, .65 pounds
• Binding: Hardcover
• 288 pages

From School Library Journal
Grade 4-6–Buckley has created a world in which humans and fairy-tale creatures live side-by-side in rural New York in an uneasy alliance. Brought here by Wilhelm Grimm in an attempt to save them, the Everafters are now kept in check by the man's descendants. Enter Sabrina and Daphne Grimm, two sisters seemingly abandoned by their parents, who have been brought to live with a grandmother whom they thought was dead. Heartbroken and wary, the girls are immediately swept up in a mystery that includes giants, pixies, fairies, and witches. Readers well grounded in their fairy tales will get the most pleasure from recognizing the characters–Prince Charming, Jack-the-Giant-Killer, the Three Pigs, the Magic Mirror, and more–but the fast pace, sly humor, and cleverly inserted vocabulary lessons will entertain even those who are meeting the characters for the first time. Softly rounded, black-and-white illustrations and old-fashioned silhouettes at the chapter headings complete the first-rate design of this madcap adventure.–Sharon Grover, Arlington County Department of Libraries, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 4-6. After their parents disappear, sisters Daphne and Sabrina Grimm are placed with a grandmother they have never heard about. Sabrina, the eldest, is highly suspicious; why didn't their parents mention Granny Relda? She grows more concerned once they arrive at Relda's home in the New England town of Ferryport Landing, where Relda serves emerald-green meatballs in rooms lined with books about magic. Then Relda reveals the truth: the Grimms are descended from the famous storytelling brothers, and Ferryport Landing is a magical town, populated with "Everafters," characters straight from fairy tales. After Relda goes missing, it's up to the girls, and their new magical friends, to rescue her and stop a corrupt politician--a well-cast Prince Charming. Buckley's debut novel gets bogged down in labored world building and sometimes stilted prose, but the wild parade of magical folk in the gleefully fractured fairy tales (Snow White teaches school; the Three Little Pigs are policemen) may draw some fans. A second volume in the Sisters Grimm series, The Unusual Suspects, is also available. Gillian Engberg
Copyright © American Library Association. All rights reserved

About the Author
This is Michael Buckley’s first book. He has written and developed television programming for Nickelodeon, VH1, MTV, MTV Animation, Discovery Channel and TLC, most notably two documentaries, The Mole People and The New Sideshow, that can be seen regularly on Discovery Networks. Michael also writes a monthly humor column for The Idiot Magazine. He lives in New York City.

Peter Ferguson is a comic book and editorial artist who just published his first picture book with the Tricycle Press. He is also the illustrator of the young adult novels, The Anybodies and The Nobodies, by N.E. Bode. He lives in Montreal, Canada.

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0 of 0 people found the following review helpful.
Delightful Fantasy
By drebbles
After the mysterious disappearance of their parents, 11-year-old Sabrina Grimm and her 7-year-old sister, Daphne, are sent to a succession of foster homes. Their luck seems to change when they are sent to live with someone claiming to be their grandmother, but Sabrina is suspicious since her father had led her to believe her grandparents were all dead. She is further suspicious when her grandmother tells her that they are related to the Brothers Grimm of fairy tale fame. Not only that, but she tells them that fairy tales are not make believe, but history books and the characters are real and living right there in town. Naturally, Sabrina doesn't believe a word of it, until she sees with her own eyes that fairy tales can come true.

This was a truly delightful fantasy. Michael Buckley deftly weaves many fairy tales into the book from the Three Little Pigs to the Magic Mirror on the Wall to the Wizard of Oz. He's taken one of the standard fairy tale characters, Prince Charming, and turned him into a vain, yet very funny character. Buckley has a nice touch with words that will help adults enjoy this book as well as children. His touch is subtle, yet humorous, as when he describes parking valets as "hulking attendants with green skin and oversized muscles". Sabrina and Daphne are delightful, resourceful and brave. Buckley's take on the various fairy tale characters and their personalities is quite interesting and readers will never look at fairy tales such as Jack and the Beanstalk in quite the same way after reading this book.

Readers young and old will love this book.

1 of 1 people found the following review helpful.
Good Read
By Melissaox
I like to read at least some of the books I let my 7 year old read. She actually hasn't gotten to this book yet, but I have. I have discovered I generally like most of the books she can read, and this is no different.
The book was interesting and keep me reading. There was enough mystery and adventure to keep the pages turning. I thought it was funny when Snow White was a teacher, like the TV show that is completely not related.
Overall I thought its great for kids and adults alike. It makes me want to go back and re-read fairy tales to see what really happens.

0 of 0 people found the following review helpful.
Great book. I read to my boys at night ...
By Kindle Customer
Great book. I read to my boys at night and we all loved it great character building. Especially for a book based on fairy tales and fantasy, the characters were extremely believable, and relatable.

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Devoted to 200 Tibetan thangka paintings from the New York collection of Shelley and Donald Rubin, this book spans the whole range of Tibetan artistic schools over the past eight centuries. Each painting is analyzed in terms of iconography and religious meaning, style, regional lineage and sources.

• Sales Rank: #2310691 in Books
• Published on: 1999-04-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x 1.75" w x 9.25" l, 6.70 pounds
• Binding: Hardcover
• 480 pages

Most helpful customer reviews

13 of 15 people found the following review helpful.
Comprehensive tour of Tibetan thangka art
By Pamela Logan
This is a big, heavy book, beautifully illustrated and authoritatively written. I am finding it a boon in my research on Tibetan art, for it covers most every subject, style, and region of Tibet. My copy came from the library--wish I could afford to buy it!

2 of 3 people found the following review helpful.
exquisite
By Paola M. Savarino
A great book on its own, even better as a companion to earlier book, " Wisdom and Compasion".

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In this revised and expanded edition of Economics as if God Matters, Rupert J. Ederer brings forward to the present his classic assessment of how papal social teachings address economic questions from the end of the 19th century. Noting how "economic order reflects economic philosophies, which, in turn, mirror the basic philosophies" and even theologies, Ederer explores the papal perspective on economics and its place in human affairs. Through the study of social encyclicals issued since 1891, Ederer illustrates the "organic development of doctrine" on economic matters through his detection of a series of common principles.

Ederer considers in each of his chapters key encyclicals, from which he abstracts an economic philosophy that seeks to balance Church teaching with evolving 20th-century economic systems. His survey thus encompasses close readings of Leo XIII's Rerum Novarum (1891), Pius XI's Quadragesimo Anno (1931), John XXIII's Mater et Magistra (1961), Paul VI's Populorum Progressio (1967), John Paul II's Laborem Exercens (1981), Sollicitudo Rei Socialis (1987), Centesimus Annus (1991), and Benedict XVI's Caritas in Veritate (2009).

Written for clergy and lay readers, as well as students and scholars of the Catholic perspective on the intersection of economics and society, Economics as if God Matters is a sophisticated review of the moral purpose of one's participation in the economic life of modern society.

• Sales Rank: #441549 in Books
• Published on: 2011-06-01
• Original language: English
• Number of items: 1
• Dimensions: 9.48" h x .94" w x 6.42" l, 1.15 pounds
• Binding: Hardcover
• 250 pages

Review
The great strength of Economics as if God Matters is the opportunity to reflect with a mature scholar on the major modern social encyclicals while seeing the world through the eyes of one who has thought deeply for a long time about modern papal social teaching and economics… Ederer’s study helps us recognize the manner in which the social teaching of the Church developed organically in light of concrete social conditions and unfolding issues. Throughout Ederer’s book, reflection on the modern economy and issues of authentic human development are tied in various ways to history and social context. The great strength of Economics as if God Matters is the opportunity to reflect with a mature scholar on the major modern social encyclicals while seeing the world through the eyes of one who has thought deeply for a long time about modern papal social teaching and economics. (Catholic Social Science Review)

About the Author
Rupert J. Ederer is professor emeritus of the State University of New York in Buffalo.

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^^ PDF Ebook Modern Scandinavian PoetryFrom New Directions

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• Sales Rank: #11811338 in Books
• Published on: 1982-04
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 6.25" w x 1.00" l,
• Binding: Hardcover
• 399 pages

Language Notes
Text: English

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4 of 4 people found the following review helpful.
it's modern but a bit watered-down
By Jessica Smith
I am usually a big fan of contemporary poetry, but this collection is of mostly sentimental, non-experimental scandinavian poetry. As with older Scandinavian poetry, there's a lot of nostalgia for the natural, and unlike the older poetry you get a feeling of desire-for-the-natural instead of mere appreciation of it. Since much of this poetry is post-WWII, Scan.'s first real entry into the Western world, there seems to be an almost Wordsworthian tone (as in "The World is too much with us"). If you like that kind of thing, this book is for you-- it's also well-bound, a good volume for the price. If you're looking for the kind of rash experimentalism of the post-Viking era, however, you're out of luck.

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