Sabtu, 30 Agustus 2014

~~ Get Free Ebook The National Air and Space Museum, by C.D.B. Bryan

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The National Air and Space Museum, by C.D.B. Bryan

The thrill and excitement of a visit to the Smithsonian Institution's National Air and Space Museum is captured here with new chapters and specially taken photographs of the museum's five major new galleries. 305 illustrations.

  • Sales Rank: #2018078 in Books
  • Published on: 1979-09
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 504 pages
Features
  • The National Air and Sapce Museum
  • Air and Space Flight
  • Flying
  • Airplanes
  • Space and Spacecraft

From Library Journal
The first edition of this stunning book appeared in 1979 ( LJ 12/15/79) and featured superlative photographs of the museum's existing galleries accompanied by an excellent text and dramatic fold-outs, a marvelous re-creation of a visit to the museum, as well as an overview of the aerospace adventure. Since then, the museum has changed several galleries, and this new edition was produced with that fact in mind. The revised version now has 19 chapters, of which five are new ("Early Flight," "Golden Age of Flight," "Jet Aviation," "Looking at Earth," and "Stars"). The new material definitely meets the standards of the old version. If the library does not have the first edition, this one is certainly worth purchasing; otherwise, this is a very expensive book for only five new chapters.
- Roger Bilstein, Univ. of Houston-Clear Lake
Copyright 1989 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Wonderful book on the history of flight
By zilla
I bought this as a Christmas present for my dad last year and he still can't put it down. He loves it from the perspective of a former pilot and photographer. When I was about ten he took me to the museum and it still remains one our favorite vacations. The book itself is of a wonderful quality. It details the history of flight up until 1977 and is filled with amazing photographs and facts. There's a few really neat fold-outs as well which was a nice surprise. Oh and the text is large enough for him that he doesn't need a magnifying glass (for those of you that need reading glasses and a magnitude). I found it for $12 at a thrift store and this is a much more expensive book than that. I imagine it was $50 or more brand new so you can't beat the price of a used copy. If you have an interest in planes and space flight this is a must have.

0 of 0 people found the following review helpful.
As good as it gets without an actual visit!
By Jay M
Nice, high quality, hardcover book. The pages themselves are high quality as well; thick, glossy, with high resolution images of the exhibits. Of course, the book also contains numerous facts and history behind it all. This is a VERY expensive book to buy brand new, but as always, you can find this book used for a great price. I HIGHLY recommend this book to anyone interested in the subject.

0 of 0 people found the following review helpful.
Five Stars
By denise
Top notch book. My husband can't put it down!

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Kamis, 28 Agustus 2014

^^ PDF Ebook Splay Anthem, by Nathaniel Mackey

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Splay Anthem, by Nathaniel Mackey

In a stunning new collection of poems of transport and transcendence, African-American poet Nathaniel Mackey's "asthmatic song of aspiration" scuttles across cultures and histories—from America to Andalucía, from Ethiopia to Vienna—in a sexy, beautiful adaptive dance.

Part antiphonal rant, part rhythmic whisper, Nathaniel Mackey's new collection of poems, Splay Anthem, takes the reader to uncharted poetic spaces. Divided into three sections—"Braid," "Fray," and "Nub" (one referent Mackey notes in his stellar Introduction: "the imperial, flailing republic of Nub the United States has become, the shrunken place the earth has become, planet Nub")—Splay Anthem weaves together two ongoing serial poems Mackey has been writing for over twenty years, Song of the Andoumboulou and "Mu" (though "mu no more itself / than Andoumboulou").

In the cosmology of the Dogon of West Africa, the Andoumboulou are progenitor spirits, and the song of the Andoumboulou is a song addressed to the spirits, a funeral song, a song of rebirth. "Mu," too, splays with meaning: muni bird, Greek muthos, a Sun Ra tune, a continent once thought to have existed in the Pacific. With the vibrancy of a Miró painting, Mackey's poems trace the lost tribe of "we" through waking and dreamtime, through a multitude of geographies, cultures, histories, and musical traditions, as poetry here serves as the intersection of everything, myth's music, spirit lift.

  • Sales Rank: #451159 in Books
  • Brand: Brand: New Directions
  • Published on: 2006-05-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .45" w x 6.06" l, .48 pounds
  • Binding: Paperback
  • 112 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Published in installments across several decades, Mackey's two epic series—one called Mu, the other Song of the Andoumboulou—bring the attitudes of free jazz and the reverberating patterns of West African ensemble music to the goals of the American encyclopedic long poem à la Charles Olson. The mysterious, even hermetic, new verse extends both of Mackey's epics, even (as his prose foreword explains) merging them, so that they form one enormous text describing a mystical quest. Mackey's figures seek the source of inspiration, and his dense stanzas track their uneven progress; "We" pursue it, by foot, train or boat, into realms of fable and myth, via chants, archival and esoteric references, portmanteau words and archeological research. "Atless" (that is, lost without a map) and given to interjections like "wuh," Mackey's crew crosses the "City of Lag" on the "Not Yet Express," as the poet himself sends his spirit "up/ Unreal Street unstrung" in search of new sounds and rituals. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Mackey plays...scatting across the page an anthem...whose structure widens our poetic notions and splays our mainstream culture. (Poetry Flash, Zara Raab)

Mackey plays...scatting across the page an anthem...whose structure widens our poetic notions and splays our mainstream culture.

Review
Mackey plays...scatting across the page an anthem...whose structure widens our poetic notions and splays our mainstream culture.

Most helpful customer reviews

4 of 4 people found the following review helpful.
The river of words.
By Robert Beveridge
Nathaniel Mackey, Splay Anthem (New Directions, 2006)

There is a (very) short list of poets I keep in the back of my head whom I believe every "performance" poet, "slam" poet, and "spoken word artist" should read-- those poets whose work is offered in the same performance-oriented vein, but still works first and foremost as poetry. I have added Nathaniel Mackey to the list, for Splay Anthem is the epitome of this style of writing-- it sounds great when you read it aloud, and stands up when you read it on the page. Mackey has not forgotten that poetry is, first and foremost, about the sound (where so many of these others are so concerned with the message they're trying to get across that I often wonder if whether it sounds good ever enters their heads), and man, it sounds good:

"Vibrating string held us together,/hostage, nubs what before were/fingers albeit we plucked at it/even so, a subdued drum pounding/past/words, words' amanuensis...Packed up,/departed, booked... 'Cold water/and dirt,' a voice we heard sang,/wasted."
("Song of the Andomboulou: 44")

This is great stuff, made all the more interesting by Mackey's erudite (and quite illuminating) introduction, which traces, in an impressionist kinda way, a string of influences that led to the poems we have here. All the messages that the performance poets are so hot to make sure we humans understand are in this book, but-- and this is the important part, kiddies-- they never get in the way of the poetry itself. And that's what makes this such a fine piece of work. Should be required reading for aspiring poets with messages, and highly recommended for everyone else, too. ****

4 of 5 people found the following review helpful.
a poet's singing
By Case Quarter
the river that runs thru it, thru all of it, it being the writings of nathaniel mackey, his poetry and what prose i've read by him, is jazz, mostly free jazz. poetry on the page when it professes to be music, a specific music, unless the specific piece intended is present, or known by the reader, is there for the mercy of individual interpretation. and i seriously doubt in such instances that any two readers will hear the same music, except in say, a very generalized listening, or listenings, then, at best, there's some consensus: yes, this is jazz i hear when i read these poems.

i believe any and all poetry in hand should, whenever possible, be read aloud, so the rhythms of the poetry, the arrangement of iamb and anapest, of assonance and alliteration, as arranged by the poet can come fully into play, with a turning on of the medium, and the reader as listener to one's own voice speaking or chanting or singing the poet's words fits the reading. now whatever music is heard may or may not have reference to specific recorded music heard somewhere in the listener's experience.

words refer. mackey uses the word 'splay' as having multiple meanings, as with 'mu', one meaning refers to 2 don cherry recordings. mu, along with song of andoumboulou, are 2 ongoing serial poems by mackey, braided together under the title 'splay anthem.' mackey writes in his preface that each was given its impetus by a piece of music from which it takes its title.

what can be annoying about mackey's projects, not just his poetry, is that everything he creates remains in flux, and, as such, is inconclusive. fortunately, he continues where he left off. and fortunately, enjoyment of his books does not rely on having read other books in the 'series'.

the true pleasures of mackey's writing in general, and splay anthem in particular, are the rhythms of his language, the imagery he creates which remains long after the reading, and his generousity in sharing his knowledge and love of jazz. his preface should be read for his remarks on the saxophonist, glenn spearman.

1 of 1 people found the following review helpful.
The archetypal expressive poetry!
By PallisNevermore
Nathaniel Mackey has become my new favorite poet; he is complex and his intricate style is worth the work it takes to interpret

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Rabu, 27 Agustus 2014

@ Download PDF Carl Warner Food Landscapes 2011 Wall Calendar, by Carl Warner

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Carl Warner Food Landscapes 2011 Wall Calendar, by Carl Warner

Includes bonus postcards!

It’s not just eye candy—it’s a full meal! Welcome to visionary photographer Carl Warner’s curious world, where Parmesan peaks tower over a desert of paprika and spiky chicory, while a tomato-skin scorpion perches on a potato. Every one of the 13 complex images featured in this calendar offers a unique visual feast for foodies and fantasy lovers.

 

  • Sales Rank: #3250689 in Books
  • Published on: 2010-08-01
  • Format: Wall Calendar
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .13" w x 14.00" l, .70 pounds
  • Binding: Calendar
  • 28 pages

About the Author
Carl Warner is a London-based photographer who works mainly in advertising. Over the past few years, he has been making landscapes out of food and photographing them; and he has been commissioned by many advertising agencies throughout Europe to produce custom pieces for clients in the food industry. He photographs his scenes in layers-from foreground to background and sky-as the process is so time consuming, the food quickly wilts under the lights. He then compiles the layers in post-production to achieve the final image. His "foodscapes" take up to three days to build and photograph and then a couple more days to retouch and fine-tune. The results, both edible and incredible, have brought him international acclaim.

Most helpful customer reviews

3 of 4 people found the following review helpful.
Fun and interesting to look at
By Amazon Customer
I was looking for a unique calendar for my office and this certainly fits the bill. Warner has done a very good job turning mundane items into clever works of art. Unless the viewer is looking closely it is hard to even tell it is food!

2 of 3 people found the following review helpful.
Yum Yum
By Cora A. Morgan
If you have never seen any of his food landscape pictures you are in for a treat. It is incredible what he is able to create with food. I really enjoy looking at the pictures.

0 of 0 people found the following review helpful.
Fun with food
By Mrs. Scoops
This was a perfect calendar to have in the kitchen all year. The use of food to paint landscapes is so creative. The pictures were fun to look at every month.

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Minggu, 24 Agustus 2014

! Download Egyptian Palaces and Villas: Pashas, Khedives, and Kings, by Shirley Johnston, Sherif Sonbol

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Egyptian Palaces and Villas: Pashas, Khedives, and Kings, by Shirley Johnston, Sherif Sonbol

Egypt's romantic allure does not end with the age of the pharaohs. This lavishly illustrated book offers an unprecedented look inside the opulent estates of the pashas, khedives, and great ladies of 19th-century Egypt, and the princes and kings of the early 20th century. Here in all its cosmopolitan splendor is the world of unparalleled prosperity that attracted adventurers the world over, from the Belle Époque through the Roaring Twenties. The stories of the families and architects behind 41 spectacular villas and palaces make this volume as fascinating to read as it is to look at. Sumptuously illustrated with 174 original color photographs, Egyptian Palaces and Villas will entrance and delight anyone interested in this proud land and its dramatic history.

  • Sales Rank: #950221 in Books
  • Brand: Brand: Harry N. Abrams
  • Published on: 2006-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.38" h x .88" w x 10.38" l, 3.26 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • Egyptian Palaces and Villas: Pashas, Khedives, and Kings

About the Author
Shirley Johnston is well known as the writer and photographic director of lavishly illustrated books, among them works on Palm Beach houses, the French Riviera, and Malta. She lives in France and Egypt.

Sherif Sonbol has contributed photographs to numerous illustrated books. He lives in Cairo.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Egyptian palaces
By Nadia Azumi
I do not know how Ms. Johnston managed to take all this gorgeous pictures and publish a book so outstanding considering the fact that some of these villas are not longer opened to the public.

There is so much beauty in private villas.I remember some of my friend's houses,looked like palaces with gorgeous cherry wood,stairs that could envy Gone with the Wind movie.All The wood teak, ebony,Italian tiles and Greek original statues.

I strongly suggest purchasing this book,as you will see how people lived in this wonderful places.

There are much more villas to be photographed by I guess it is no longer allowed.

6 of 6 people found the following review helpful.
Places rarely seen
By Ann Tull
Almost all books on Egypt have photographs only of the antiquities. It is rare that the public is allowed to see the inside of most of the places included in this book, and it is a privilege to see photographs of them. The narrative is well done and very interesting.

6 of 6 people found the following review helpful.
Of Pleasures and Palaces...
By Grady Harp
EGYPTIAN PALACES AND VILLAS may just be one of the more sumptuous books available on the always mysterious land of Egypt. For those of us who crave visiting the Alexandria of Lawrence Durrell or just having an inside view of the exotic pleasure domes of this bewitching country, then look no further.

Shirley Johnston has a talent for writing about countries in away that is more than a travelogue or picture book. Not that her books are impoverished pictorially: photographer Sherif Sonbol assists her in over 170 fine photographs of the splendors that Johnston explores. Within the cover of this Abrams book are views of palaces in Cairo, homes in upper Egypt that are directly lifted replicas of palazzos along the Grand Canal of Venice, treasures both ancient and contemporary that have not been available for viewing until this insightful volume.

Johnston's writing style is seductive, polished, and informed. This beautifully designed and produced book is a treasure trove for all those who dream of the days when wealth and Egypt - and mystery - were synonymous. Highly recommended. Grady Harp, November 06

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Sabtu, 23 Agustus 2014

# PDF Ebook London, by John Russell

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London, by John Russell

For John Russell, author of the highly successful Paris as well as a score of other volumes, writing London was a labor of love. English by birth, Russell lived in London for nearly 50 years, and here he offers a matchless tour of the key aspects of the city and its notable citizens through the centuries. 183 illustrations, including 86 in full color.

  • Sales Rank: #5634691 in Books
  • Brand: Brand: Harry N Abrams
  • Published on: 1996-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.75" h x 9.00" w x .75" l,
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Art critic Russell present a lavishly illustrated history of London.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
A reminiscence of times experienced and histories explored, this offering is a very personal look at a city of infinite attractions that has captured the hearts and imaginations of generations of natives and visitors alike. Russell, an eminent writer on the arts for over 50 years, brings to life, through anecdote, illustrations, and memoir, the city of London from its re-creation after the Great Fire of 1660 through the great fires of World War II and up to the present. He takes us into the world of Wren and Constable, Boswell and Handel, Shaw and Olivier, and Lucian Freud and R.B. Kitaj in this love letter to what is less a geographic concept than a state of mind and memory. Recommended both for Anglophiles and everyone else waiting to be convinced.
Paula Frosch. Metropolitan Museum of Art Lib., New York
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews
An elegantly idiosyncratic, leisurely and--at its most successful--revealing stroll through London's highways and byways that transcends the coffee-table genre. A long-time art critic for the the New York Times, British- born Russell is an erudite guide to the city he made his home for over 50 years (if one at times rather too fond of the sound of his own voice). He takes the reader on a wholly personal, unsystematic, yet surprisingly thorough ramble through London's long history and its labyrinthine social topographies as well as its protean physical aspect. Though he occasionally lapses into travelogue bromides (``there is no better school of life than the streets of a great city''), more often Russell succeeds in finding neglected perspectives that help us reimagine a city made overfamiliar by mass tourism and media: a history of London's 19th-century salon culture, an explanation of what goes on behind the closed doors of the city through a history of its architecture, and, throughout, a refreshing emphasis on London as the living and working home of millions of ordinary folk rather than a picturesque museum. Having come to know the city in its imperial twilight, Russell does sometimes fall prey to nostalgic Edwardianisms (for instance, in his rose-tinted and pompous descriptions of Parliament); but at his best he combines the historian's long view, the aesthete's appreciative gaze, and the social critic's inquiring eye to paint a bracingly complex picture of a city whose heritage continues to evolve--such as his account of the Docklands transformation from commercial and imperial hub to the sometimes combustible social laboratory of the new London. At its unstuffy best, Russell's ``tour'' is brought to vivid life by his unfailingly apposite selection of paintings, engravings, architects' drawings and photographs, in general excellently reproduced (though on occasion large-scale images have been reduced beyond comfortable scrutiny). Russell for the most part offers the armchair traveler and the inquiring mind alike five-star service. (183 illustrations, 86 in color) (Book-of-the-Month Club dividend selection) -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

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Jumat, 22 Agustus 2014

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A perennial favorite, this bestselling calendar features all-new photographs of the world's most extraordinary chickens.

  • Sales Rank: #3784726 in Books
  • Published on: 2008-08-01
  • Format: Wall Calendar
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .25" w x 12.00" l,
  • Binding: Calendar
  • 24 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Beautiful and Hillarious!
By Carols Critters
I bought this calendar for my father in a nursing home, to give him a few chuckles. It is now hanging on his wall and is a daily topic of conversation for his nurses and other visitors! This calendar is made of excellent quality paper with 5 star photography, I am ordering another one for myself! It's great for any animal lover, the photos are sure to bring laughter to your day.

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Beautiful & Funny!
By A. Sovinski
This calendar is lovely. The pictures are high-quality and beautifully done. The chickens themselves are funny and odd. I would recommend this to anyone!

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These chickens are extraordinary!
By Lorcasaur
I buy this calendar every year. They are truly extraordinary chickens, and the photography is beautiful. (Stephen Green-Armytage's books are great, too.)

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Kamis, 21 Agustus 2014

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Blood on the Stage: Milestone Plays of Crime, Mystery, and Detection, by Amnon Kabatchnik

Acts of crime and criminal minds have always fascinated the world's authors. During 1900-1925, world stages were full of plays in which transgression and lawbreaking were the common denominators. In Blood on the Stage: Milestone Plays of Crime, Mystery, and Detection, An Annotated Repertoire, 1900 - 1925, Amnon Kabatchnik examines the key representations of transgression drama produced in the 20th century's first quarter. This volume covers 80 plays written and produced between 1900-1925 that had at least one public performance in the English language, with an emphasis on New York and London performances.

Each of the entries revolves around murder, theft, chicanery, kidnapping, political intrigue, or espionage. Works by Nobel Prize winners Jacinto Benavente, John Galsworthy, and Eugene O'Neill are examined, along with plays by David Belasco, Earl Derr Biggers, George M. Cohan, Arthur Conan Doyle, Elmer Rice, and Mary Roberts Rinehart. The volume includes standards of the genre such as The Bat, The Cat and the Canary, The Last of Mrs. Cheney, Madame X, and The Scarlet Pimpernel. The emphasis is on manuscripts of enduring importance, pioneering contributions, singular innovations, outstanding success, and representative works by prolific playwrights in the genre. The entries are arranged in chronological order, each consisting of plot summary (often including significant dialogue), production and performance data, opinions by critics and scholars, and other features.

  • Sales Rank: #1332599 in Books
  • Brand: Brand: Scarecrow Press
  • Published on: 2008-06-10
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.33" h x 1.30" w x 6.35" l, 1.85 pounds
  • Binding: Hardcover
  • 432 pages
Features
  • Used Book in Good Condition

Review
A veteran stage director, theater professor, and mystery fiction reviewer fills a gap in criminous scholarship with a strong contender for Edgar Award recognition....Dialogue samples, quotations from contemporary reviews, anecdotes, and mentions of well-known cast members further enliven the entertainingly-written entries. (Jon L. Breen Mystery Scene Magazine, September 2008)

This material is astonishingly complete and up to date....The author correctly describes this work as "a labor of love." It is also a fascinating document that deserves a place in any library with a sizable collection on theater. (American Reference Books Annual, August 2008)

The author gives thorough criticism for the benefit of theater students on why each work is noteworthy, and why the appeal of this genre endures. (Book News, Inc.)

For anyone with a serious interest in the stage and plays of detection, this is a priceless reference. (Deadly Pleasures Mystery Magazine)

The sheer readability of his work exceeds that of many reference books.... Warmly recommended. (Reference and User Services Quarterly)

The plays selected by Kabatchnik...provide a wealth of material for lovers of theatre. (Los Angeles Times, August 2008)

About the Author
Amnon Kabatchnik, now retired, was a Professor of Theatre at SUNY Binghamton, Stanford University, Ohio State University, Florida State University, and Elmira College. He is the author of Sherlock Holmes: A Chronological Encyclopedia of Plays Featuring the Great Detective (2008), and Blood on the Stage: Milestone Plays of Crime, Mystery and Detection, An Annotated Repertoire, 1925-1950 (2009), both published by Scarecrow Press.

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2 of 2 people found the following review helpful.
Excellent resource and an entertaining read
By R. Elliott
This is an extremely useful book - so useful that I'm sorry that there's only one volume. As a former Artistic Director of a theater company, I would love to have had access to this volume when trolling for great plays deserving of revival. More than an encyclopedia, the book offers a thorough multi-page description of every conceivable crime and punishment play - whether penned as serious drama or for pure entertainment. The author writes in an informal, conversational style and though I'd intended to thumb through the book, I found myself reading it from cover to cover. It's very thorough - summarizes recent and past productions and their reviews, and gives information about the authors; in that way it resembles a textbook (fortunately, unlike the dry texts I suffered through as a theatre major, this one manages to be thorough as well as entertaining). But it (and its cousin, "Sherlock Holmes on the Stage") is also an excellent reference for theater professionals searching for great material. Or, for that matter, to anyone looking to learn a bit more about the history of theater.

1 of 1 people found the following review helpful.
Review by John Cowans
By huckleberry
Kabatchnik, Amnon, Blood on the Stage, 1975-2000, Milestone Plays of Crime, Mystery, and Detection: An Annotated Repertoire, 2012, Maryland, The Scarecrow Press Inc.,608 pages, ISBN 978-0-8108-8354-3, Drama, Hardcover, $125.00

 "The first stage crime was committed in ancient Greece." With those auspicious words, Amnon Kabatchnik begins his excellent 37 page Introduction to the fourth volume of his monumental survey of plays of crime and mystery written in English largely for the American stage during the Twentieth Century; however, his Introduction is really a concise and readable history of crime stage drama on both sides of the Atlantic, and should serve students of the theatre well as an entertaining refresher of this particular genre
 Born in Tel Aviv, Israel, Amon Kabatchnik received his BS degree in theatre and journalism from Boston University; he also holds an MFA degree in directing from Yale School of Drama. He served as Professor of Theatre at several universities including Stanford University and Ohio State University. He has also directed numerous dramas, comedies, thrillers and musicals. Blood on the Stage 1975-2000, continues the study which began with three previous volumes in this series covering the years 1900-1975. Mr. Kabatchnik is also the author of Sherlock Holmes on the Stage.
 The author refers to his series as an `Annotated Repertoire', which it certainly is, providing extensive information about 82 plays. For example, the entry on M Butterfly (1988) by David Henry Hwang covers seven pages. Following its opening paragraph which gives the factual background to the narrative, there follows a detailed scene by scene description of the play. Then its stage history is given, followed by a three page biographical note on the author, David Hwang. The publisher of the acting edition is listed next, followed by the Awards and Honours received by the play; the entry is concluded with a list of its textual notes. This format is followed fairly closely for each of the 82 listed plays although in many of the summaries a section is added giving critics` assessments. 
 An additional feature of this excellent reference work is a series of five Appendices. Appendix A, titled Deadly Poison surveys in essay form the use of poison in stage drama since Euripides presented Medea in 431 BC; Appendix B, Twentieth -Century Courtroom Dramas lists plays since 1900 that unfold in a courtroom; Appendix C presentsTwentieth-Century Death-Row Plays; Appendix D deals with `Children in Peril'; and Appendix E lists by author `Notable One-Acts of Mayhem, Mischief, and Murder.
 At $125.00, and one can only assume that the other volumes in the series are similarly priced, this excellent reference book is beyond most individual budgets; however, I must recommend that Public Libraries, School, College and University Libraries, invest in Mr. Kabatchnik's four volume opus. I would further suggest that professional and amateur theatre groups invest similarly. 



0 of 0 people found the following review helpful.
Great to read for fun and reference
By bookbuzz
A good mystery is a thing of joy for me and especially joyful is the experience of being part of an audience when a tale of mayhem and not a little murder takes centre stage - sitting in the stalls watching actors unravel an intriguing who-dun-it is an adrenalin racing, spine tingling experience.

Amnon Kabatchnik, author of Blood On The Stage 1975 - 2000 has compiled a list of these heart hammerers and a marvellous list it is; each play selected (there are over 80) has a detailed plot synopsis, info on the productions and staging of the work, bio sketches of the playwright, director, actors, and reviews by major critics.

Don't want to rave but am going to; so lovely to read about forgotten faves and relive the performance: Patricia Highsmith's `The Talented Mr. Ripley'; a wonderful book, play and film (if there's a t-shirt, I need to know). Ripley's charm, impeccable good manners coupled with his chillingly creepy, dark-side were faithfully reproduced in Phyllis Nagy's stage adaptation. I'd forgotten how wonderful the sets were, some of the action takes place at sea - easy to depict if it's a movie but stage set design needs expertise to get an ocean liner mood right. The critics must have agreed with me because the reviews were unanimous; Phyllis Nagy and all concerned with the international productions were awarded top marks.

What is particularly engaging about Blood On The Stage is I've discovered books that were translated to the stage that I didn't know about. `To Kill A Mockingbird' is on my top ten booklist - I've seen the film and now I know there's a play, I'll be watching out for a production.

Amnon Kabatchnik's entertaining research and reporting style makes for a really interesting read. He has included reports on all mystery theatre genres staged between 1975 - 2000: psychological dramas, who-dun-its, classical detectives, comic mysteries and let's not forget: musicals which have a corpse in the cast list.

Some of the well-known playwrights included are: Anthony Shaffer, Jeffrey Archer, Terence Rattigan, David Mamet, Tom Stoppard, Ira Levin, Simon Brett, Stephen Sondheim, Lesley Bricusse and lots more. What is especially interesting is reading about some of their lesser known works - Lesley Bricusse gained an international reputation with his musical `Stop The World, I Want To Get Off' but did you know in 1988 his play `Sherlock Holmes - The Musical' was produced in Exeter, England?

He wrote the book, lyrics and score... serious fun, love to see it. Similarly there are other plays written by playwrights unknown to me that have whetted my appetite - currently googling for more info on possible future productions.

Blood on the Stage 1975 - 2000 is a keeper. Doesn't matter whether you are a student or fan of mystery theatre, if you enjoy exciting puzzling stories (each play's synopsis is a descriptive short story without dialogue) then at 603 pages, Amnon Kabatchnik's scholarly recording of milestone plays is a book that is easy to dip into and return to, both for reference and pleasure. If you can't get it for yourself, lobby your local library or college and share the enjoyment.

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The Great Race: The Amazing Round-the-World Auto Race of 1908, by Gary Blackwood

Long before the Amazing Race television show there was the Great Race—a thrilling true story that will grab readers from the start to the finish line.

In February of 1908, six cars from four countries gathered in Times Square for the pistol shot that began the first around-the-world automobile race. Gas-powered cars hadn’t been round very long, and roads were nonexistent as this group of hardy pioneers set out to drive from New York to Paris, hoping to cross the ice of the Bering Strait along the way. The Europeans were sure their cars were superior, but it would be the scrappy Americans in their Thomas Flyer, after braving twenty-foot snowdrifts, bandits, and many near drownings, who would win the race.

In a book published to coincide with the 100th anniversary of the race, Gary Blackwood, author of well-known historical-fiction novels, crafts a thrilling narrative of great courage and splendid folly, illustrated with original, never-before-published photographs throughout.

  • Sales Rank: #1350796 in Books
  • Brand: Abrams Books for Young Readers
  • Published on: 2008-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .50" w x 7.00" l, 1.05 pounds
  • Binding: Hardcover
  • 144 pages
Features
  • Great product!

From School Library Journal
Grade 5–9—Blackwood recounts this historic race, cosponsored by the New York Times and the French newspaper Le Matin. When it began in February 1908, there were six official entries—three from France and one each from Germany, Italy, and the United States. Starting in Times Square, the route would take the crews across America, up across the Bering Strait into Siberia, and through Asia before entering Europe and finishing in Paris. The author nicely covers the background events leading up to the finale and goes into extensive detail on the men and the cars involved. Collectively, the planners and racers got so caught up in the excitement that they gave little thought to such practicalities as harsh winter weather, a lack of real roads, and the personality conflicts that were bound to crop up among those forced to spend long periods of time in close quarters. Blackwood's meticulous research is evident, and the abundant period photographs are a pleasure to study. The sheer number of people and cars, however, makes the progression of the race difficult to follow at times, and the author's attention to detail causes some sections of the book to drag. Many of the photographs were used courtesy of Frame 30 Productions, which produced a documentary on the race to commemorate its 100th-anniversary reenactment. History buffs will find much to enjoy in this account of one of the earliest and most ambitious automobile races.—Kim Dare, Fairfax County Public Schools, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In 1908, several car manufacturers sponsored a global race that was routed across America, then across Siberia and Europe, ending in Paris. In an era when cars weren’t dependable and roads were nearly nonexistent, the “race” proved to be less of a contest of automobile agility than a test of the ingenuity and determination of each car’s crew. Blackwood presents an extremely well-researched and detailed account of this large-scale publicity stunt. In fact, at times, his extensive cataloging of broken crankshafts, blown pistons, and twisted axles almost weighs down his otherwise lively narrative. But there’s enough sheer adventure here, carried out by some eccentric characters, to attract almost every reader. Helping things along are the photographs from the event, showing the cars starting off in the middle of ecstatic crowds and driving, as they often did, on railroad tracks. A fascinating account of an event that captured the world’s attention at the time. Grades 6-9. --Todd Morning

About the Author
Gary Blackwood is the acclaimed author of many children’s books, including The Shakespeare Stealer and Shakespeare’s Scribe. His accolades are many and include an American Library Association Notable Children’s Book and a School Library Journal Best Book. He lives with his family in Nova Scotia.







Most helpful customer reviews

5 of 5 people found the following review helpful.
We're here because we're here because we're here because we're here
By E. R. Bird
As a children's librarian, I feel an odd sense of pride and accomplishment when I discover a work of non-fiction that covers a topic that few adults are familiar with. I can't explain it. Maybe it's my knee-jerk reaction to the world's assumption that children's books are a pale copy of their adult equivalents. It doesn't happen often, but once in a while an author of books for young people will bend over backwards to research, develop, and hone a story that has somehow failed to remain fixed in the public memory, no matter how fascinating the story. When Gary Blackwood set out to tell the story of the 1908 race to drive around the world, he didn't do it in a vacuum. That said, what he did have to do is pore through old newspapers, documentaries, microfilm collections, and come up with a true to life tale of international in-fighting and unexpected comradarie.

In 1908 cars as we know them today were still in their infancy. They were the playthings of the rich and idle, meant entirely for races on circular racetracks. So when a proposal was raised to create a race from New York to Paris by way of Asia, the notion seemed impossible. And yet at the same time it seemed logical to test the automobile in such a race. It had been tested before but as a 1907 article in Le Matin said, "The supreme use of the automobile is that it makes long journeys possible . . . But all we have done is make it go round in circles." So it was that 6-7 teams (depending on which ones you count) started out. The cars came from America, Italy, France and Germany. By the end only one team would win, but every person involved would find that such a race would test every fiber of their being until the very last moment. The book includes websites, a Bibliography, an Index, and several maps of the exciting trek across the continents.

There's much to love in a story where men fight one another to be the best of the best in seemingly impossible situations. What's more, the author of this book knows how to tap into situations and moments during the race that kids today can relate to. One example is the moment when charming rogue Captain Hansen at a tense moment bursts into a maddeningly repetitive Boy Scout song that goes, "We're here because we're here because we're here because we're here," set to the tune of "Auld Lang Syne". The fact that he wasn't killed then and there is amazing in and of itself. Blackwood also finds certain lines from the time period to be irresistible. "It must be borne in mind that the motor car, after woman, is the most fragile and capricious thing on earth," or so said a reporter for the London "Daily Mail". As part of his job Blackwood has to find the honestly interesting moments while cutting out the fabricated or exaggerated bits of blather. At one point the "Times" recounts a moment when the Italian car encounters a pack of snarling wolves. Not a jot of it is true, but it makes for a compelling read just the same.

One of the more remarkable aspects of the tale is how often each team had to help another out of a tight spot. More than once a car like the Thomas Flyer would break down and have to be towed into the nearest town by someone like the Italian Zust. And if one team seemed to be ahead by even a day, the next minute they'd be broken down on the side of the road watching their fellows whiz past. I found the abundant maps and graphs of particular use, especially when I was trying to determine who was who. The list of Official Entries, for example, even goes so far as to list the Weight, Cylinders, Horsepower, and Drive of the entrants, to say nothing of their Names and Countries.

Some complaints I've heard lodged against the book is that it doesn't plumb the story's innate excitement as effectively as it might. And honestly, I can see where these people are coming from. Blackwood is so intent on keeping the race coherent, the contestants memorable, and the timeline linear that he sometimes includes almost too much information. For all that this is a thin 144 page text, it still could have stood some slower and more thoughtful moments from time to time. The introduction of all the characters, for example, is done in a single section. All the drivers are introduced at once, the important ones alongside the unimportant ones, rather than when their cars or countries are announced. An average reader who goes through this cast of characters could be forgiven for forgetting who one man or another was. Better to have introduced them in the context of their car and country. Particularly when most of them drop out almost instantaneously, or in the early days of the race. And I liked the list of The Captains and Their Crews, but we didn't necessarily need all that information in a quick and dirty chapter. I liked the tale but sometimes I yearned for a narrative voice that played around with the words a little more. Blackwood's book does its job well in retelling the facts of the matter, but there's a possibility that some kids will yearn for more.

Not to say that the book isn't exciting. One minute the cars are driving on railroad tracks (which are far preferable to the roads before them). The next minute they're almost getting crushed by oncoming trains after driving hell-for-leather for the end of the tunnel. And then the next the drivers are melting down iron spoons to create homemade bearings until they can replace them with new ones. Admittedly, the readership for this book may be limited to those kids and teens for whom automobiles hold a deep and abiding fascination. I enjoyed it and I'm not much of a car buff, so I can only imagine that statements about how some of the mechanical monsters in the contest had, "eight times the fuel capacity of a modern SUV," might send certain readers into fits of apoplectic joy. I think that the book certainly would have benefited from an explanation on Mr. Blackwood's part explaining how he discovered this race and what it was about this story that made him think it was a worthy subject to cover in a work for children and teens. Still, there's no denying that it sucks you in, even if you've little to no interest in motor vehicles or nationwide races.

The poet and Italian rider Antonio Scarfoglio summarized his own view of the race eloquently. "We had set out to perpetrate an act of splendid folly, not to open up a new way for men. We wished to be madmen, not pioneers." I thought I was very clever to find this quote, until I saw that it is replicated on the back of the book itself. But there's a reason that Scarfoglio's words echo the story's sentiments perfectly. What could be better than a story about a group of functioning adults that are, by all definitions, completely and utterly insane? Blackwood maybe should have ratcheted up the story's narrative pull, but as far as I'm concerned this tale will suck in adult and middle grade readers alike. Daredevils, it seems, come in all shapes and varying states of mental competence. The same could be said for their stories.

4 of 4 people found the following review helpful.
Fun read for middle readers and older
By Armchair Interviews
In 1908, auto makers were still trying to prove that automobiles were reliable and could be used as more than a novelty. A race around the world, they hoped, would at least demonstrate that autos could travel great distances-and also, it would be good publicity. But this race had an interesting and difficult set of circumstances, namely when there are few cars, there are few roads to drive on and few people who know how to drive or repair them. These concepts work together to create an intriguing tale.

While this book is written for the 9-to-13-year-old crowd, it has more than enough detail to entertain most adults. The language is very appropriate for the middle reader, and when it isn't, the author puts in a parenthetical description that, frankly, this adult needed a time or two. I would like to make it clear that this isn't a "light" read. The cast of characters is huge and some of the team members switch teams (and therefore countries represented) mid-race. I had a hard time keeping track of who drove what, when. Also, the automobiles who raced are not cars we hear of now so it is basically all a "foreign" language to those who aren't early 20th century car buffs. However, after reading this book, I am far more curious about autos of that time period.

The accompanying photographs are wonderful and great fun, and I also really enjoyed the many anecdotes that gave the race life. All in all I'd say that this is a really neat book for children who are interested in the time period or in the history of the auto-and their parents will enjoy it also.

Armchair Interviews says: An unique way to tell children about the first autos.

1 of 2 people found the following review helpful.
Spoiler alert
By BrianCay
The book gave a factual account of the New York to Paris Auto Race of 1908.
I felt the author was a bit wordy using run-on sentences. He also started giving away the physical winner of the race before the conclusion of the race. I saw the movie with Jack Lemmon and Tony Curtis so I was expecting a closer finish. I liked how the author closed all the loose ends by telling us what happened to the drivers, the cars, and the sponsors of the race.

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Selasa, 19 Agustus 2014

? PDF Ebook Gems: A Lively Guide for the Casual Collector (Rocks, Minerals and Gemstones), by Daniel J. Dennis

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Gems: A Lively Guide for the Casual Collector (Rocks, Minerals and Gemstones), by Daniel J. Dennis

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Gems: A Lively Guide for the Casual Collector (Rocks, Minerals and Gemstones), by Daniel J. Dennis

A wealth of useful facts and lore about gems is presented in this light-hearted yet practical illustrated guide. It describes the process from rough stone to polished and set jewelry with helpful tips on cleaning and caring for them.

  • Sales Rank: #1546935 in Books
  • Brand: Brand: Harry N. Abrams
  • Published on: 1999-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x .75" w x 8.50" l, .0 pounds
  • Binding: Hardcover
  • 192 pages
Features
  • Used Book in Good Condition

From Library Journal
Registered gemologist Newman understands this. In her two new guides, Newman continues her tradition of user-friendly texts that are technical enough to help consumers make wise purchases. Like her other well-regarded guides (e.g., The Gold Jewelry Buying Guide), this book is profusely illustrated with color photographs"most by Newman"showing not only the beauty of finished jewelry but close-ups and magnifications of details such as finish, settings, cut, clarity, flaws, and fakes. Sections on testing and judging the real from the fake are sophisticated enough for professionals to use. All three books are enjoyable reading, but Newman!s guides are the ones to take along when shopping. Gems will find a place in larger collections in need of a broad, basic guide. Newman!s books are highly recommended for both academic and public libraries of all sizes."Therese Duzinkiewicz Baker, Western Kentucky Univ. Libs., Bowling Green
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Am so glad I could do so now
By Amazon Customer
I used to watch Dan Dennis on HSN many years ago. I missed out on getting his book when he was writing it. Am so glad I could do so now. Really enjoyed it and so did myBF.

0 of 0 people found the following review helpful.
Nice book
By Deanna K. Rayment
Was given as a gift the person liked it but was a bit too technical for her.

5 of 6 people found the following review helpful.
This man romances the stones!
By A Customer
This man knows his gems and he has great stories behind each piece. He has great ways of romancing the stones like no one else. I get so excited hearing the little background stories he tells about each gem and the history behind the locations they come from. A great book by a renowned expert of gemology. I highly recommend this book.

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