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Bernhard, by Yoel Hoffmann
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Set in 1940's Palestine, Bernhard concerns a German-Jewish widower.
Devastated by the loss of his wife, Bernhard disconsolately walks the streets of Jerusalem, considering Gandhi, analysis, the beauty of his wife Paula's neck, his Arab neighbors, Kokoschka, the Messiah, and the inner life of his friend Gustav the plumber. As his hero tries to come to terms with his grief and the disasters of WWII, Hoffmann shows the slow remaking of an inner world.- Sales Rank: #4852615 in Books
- Brand: Brand: New Directions
- Published on: 1998-10-17
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x 1.00" w x 5.70" l, .80 pounds
- Binding: Hardcover
- 172 pages
- Used Book in Good Condition
From Publishers Weekly
In Israeli avant-garde novelist Hoffmann's startling minimalist collage, 50-ish, grief-numbed widower Bernhard Stein, transplanted from Berlin to Palestine, ruminates on his wife's death, on history and on the universe against a background of Hitler's rampage across Europe. A postmodernist kaleidoscope unfolding in 172 loosely interconnected vignettes, most of them a page in length or shorter, this experimental novel echoes Hoffmann's more conventional double-novella American debut, The Book of Joseph and Katschen. Bernhard, whose feverish ruminations hop from Spinoza to El Greco to Trotsky, is a man unhinged. His best friend, a plumber named Gustav, and Elvira Neuwirth, the cultured Viennese widow with whom he flirts, seem almost as unreal as his fictive alter ego, Moscow-born dermatologist D.S. Gregory, whose father lost a leg fighting in the American Revolution. Within these flights of fancy lies a searing meditation on loss of faith, the tragedy of modern history and life's apparent meaninglessness. Hoffmann's semantic riffs, historical excursions and self-referential metaphysical noodlings can be wearying. Yet he adds ballast to this tale by loading it with dark parables and dreams; Jewish ritual and lore; German, Yiddish and Arabic phrases (translated in the margins); and snatches of songs, childhood memories and sexual fantasies. His hypnotic prose fuses everyday events and surreal imagery with the lyrical intensity of a Chagall painting. Rights: Harris/Elon Agency.
Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews
Emotional intensity and a powerful sense of the fragility and impermanence of both the physical body and the social fabric are the distinguishing features of this 1991 novel by the Israeli author (Katschen & The Book of Joseph, not reviewed). A collage of brief vignettes presents the experiences and ruminations of Bernhard Stein, a middle-aged German Jew who, in the 1930s, has fled Berlin for Palestine, where he mourns the death of his beloved wife Paula and endures visionary glimpses of the exterior world's collapse as an objective correlative to the fragmentation of his own psyche (``When the Japanese bomb Pearl Harbor, the ships anchored in Bernhard's head go up in flames''). The novel's structure emphasizes the insistent onward momentum of Bernhard's chaotically busy mind: the 172 brief chapters overlap, the ending of one becoming the start of the opening sentence of the next. Redundancy and monotony arent entirely avoided, but Hoffmann does assemble a vividly individual character in his solipsistic protagonist's cleverly linked memories and fantasies. Bernhard's keenly felt longing for his late wife stimulates not only an unresolved relationship with an attractive widow but contrary intimations of the aroused body's imminent decay. News of Hitler's devastation of Europe and the war's ``progress'' on several fronts intensifies Bernhard's increasingly frequent withdrawals into the life he imagines for his invented alter ego ``D.S. Gregory,'' a dermatologist whose Russian father was a casualty of the American Revolutionary War. And the dreamer's hopeful recourse to the consolation implicit in poetry, biblical wisdom, and the philosophies of Descartes and Spinoza is rudely shaken by such implacable phenomena as the Palestinian government's decision to disallow ``ram's horns, whose sound resembles the sound of an air-raid siren, to be blown in the synagogues,'' and by the inability of his own arthritic fingers to form the sign ``V-Day.'' Not an easy read, but a further persuasive illustration of the genius of one of Israel's finest contemporary writers. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Review
Gauging a metabolism of loss, his work is, in fact, an essential blurring and negation of such boundaries: between self and other, life and death, man and woman, human and animal. -- Nili Gold
The most immediately striking feature of this novel, the second available to us in English from the wonderful Romanian-born Israeli writer Yoel Hoffmann, is its unique structure. In some odd way this novel might be considered a myth of national origins, a story of modern Israel in its fetal state. The very (postmodern) form of the novel allows the silences to have a powerful presence. The words are as sparse as stones in a desert: a stark dialogue between the said and the unsaid. -- Review of Contemporary Fiction, Summer 1999
Utterly enchanting -- it's like nothing else. -- Rosemarie Waldrop
Yoel Hoffmann is one of the most precious voices in Israel's contemporary literature. -- Amos Oz
Yoel Hoffmann's poetic, avant-garde novel effectively portrays the despair of the German Jewish widower who reacts to his loss while simultaneously responding to the destruction and tragedy of the Holocaust. The author deftly interweaves Jewish kabbalistic teachings with philosophy to create a powerful and moving novel. -- World Literature Today, Eric Sterling, Spring 1999
Yoel Hoffmann, one of Israel's brightest and most unusual contemporary fiction writers, tells the story of Bernhardt, a fifty-year-old childless widower who left Germany before the Holocaust and lives in Palestine in the early 1940s. ...Stylistically, Hoffmann's book may remind the reader of an Emily Dickinson poem in prose. ... Yoel Hoffmann's poetic, avant-garde novel effectively portrays the despair of this German Jewish widower who reacts to his loss while simultaneously responding to the destruction and tragedy of the Holocaust. The author deftly interweaves Jewish kabbalistic teachings with philosophy to create a powerful and moving novel -- World Literature Today, Eric Sterling, Spring 1999
Most helpful customer reviews
2 of 2 people found the following review helpful.
Superb, post-modern, philosophic and very readable
By M. J. Smith
With each book of Yoel Hoffmann's that I read, I become more and more impressed with his work. He builds his story out of small vignettes - real, imagined, and ruminations on either. These building blocks are often crafted out of the very ordinary - a cup of tea, a widow's birthday dance, a visit to a hospitalized friend, a fruit seller, shoe laces in Bernard's shooes - yet out of these very ordinary observations, a life story is built.
In this particular story, precision is emphasized. For example, parenthetical phrases are given to clarify sentences that are not unclear; these device builds an understanding of the inner thoughts of Bernard without describing and without using an omniscient narrator ... this is only one example of the incredible craft used to build the narrative.
This books succeeds in portraying a recently widowed Jew in Palestine coming to grips with the death of his wife and the horrors of WWII - portraying the crisis in understanding of fact, causality, spiritual understanding etc.
As this is the third incredibly excellent book I have read by Yoel Hoffman, I am astounded that he is not better known. Add this to any must read list.
1 of 1 people found the following review helpful.
Superb, post-modern, philosophic and very readable
By M. J. Smith
With each book of Yoel Hoffmann's that I read, I become more and more impressed with his work. He builds his story out of small vignettes - real, imagined, and ruminations on either. These building blocks are often crafted out of the very ordinary - a cup of tea, a widow's birthday dance, a visit to a hospitalized friend, a fruit seller, shoe laces in Bernard's shooes - yet out of these very ordinary observations, a life story is built.
In this particular story, precision is emphasized. For example, parenthetical phrases are given to clarify sentences that are not unclear; these device builds an understanding of the inner thoughts of Bernard without describing and without using an omniscient narrator ... this is only one example of the incredible craft used to build the narrative.
This books succeeds in portraying a recently widowed Jew in Palestine coming to grips with the death of his wife and the horrors of WWII - portraying the crisis in understanding of fact, causality, spiritual understanding etc.
As this is the third incredibly excellent book I have read by Yoel Hoffman, I am astounded that he is not better known. Add this to any must read list.
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