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Wordless Books: The Original Graphic Novels, by David A. Beronä
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“Wordless books” were stories from the early part of the twentieth century told in black and white woodcuts, imaginatively authored without any text. Although woodcut novels have their roots spreading back through the history of graphic arts, including block books and playing cards, it was not until the early part of the twentieth century that they were conceived and published. Despite its short-lived popularity, the woodcut novel had an important impact on the development of comic art, particularly contemporary graphic novels with a focus on adult themes.
Scholar David A. Beronä examines the history of these books and the art and influence of pioneers like Frans Masereel, Lynd Ward, Otto Nückel, William Gropper, Milt Gross, and Laurence Hyde (among others). The images are powerful and iconic, and as relevant to the world today as they were when they were first produced. Beronä places these artists in the context of their time, and in the context of ours, creating a scholarly work of important significance in the burgeoning field of comics and comics history.
- Sales Rank: #754099 in Books
- Brand: Brand: Harry N. Abrams
- Published on: 2008-05-01
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.25" w x 6.50" l, 2.19 pounds
- Binding: Hardcover
- 272 pages
- Used Book in Good Condition
About the Author
David A. Beronä is a member of the visiting faculty for the Center for Cartoon Studies in White River Junction, Vermont. A recognized scholar on woodcut novels and wordless books, Beronä is also the library director at Plymouth State University, New Hampshire and a reviewer and contributor to International Journal of Comic Art, Print Quarterly, and Library Journal. He lives in Gilmanton, New Hampshire.
Peter Kuper is an accomplished illustrator whose work appears regularly in Time, Newsweek, The New York Times, and MAD Magazine.
Most helpful customer reviews
16 of 17 people found the following review helpful.
A Serious Look into Wordless Books
By Kurt Brian Webb
Wordless Books: The Original Graphic Novels by the prolific writer David Beronä is a gem filled with informative serious content for the novice and well seasoned in the woodcut novel genre. This beautiful book is a visual treat to read with images around every turn of a page. In Beronä's past articles on the topic and now in this book, it is always interesting to read his interpretation on these masterful wordless books. Many familiar with this genre have seen the illustrations from his book, however there is freshness in seeing these pictures in this new context. Increasing the print size on some of the pages is a nice touch and lets the viewer see things in the prints that they more than likely have missed in the past. Numbered specific references in the text allow the reader to be deeply taken into important parts of the books described in separate chapters. The conclusion convincingly points to the role these wordless masterpieces have shaped current graphic novels. Having scans of dust jackets from many of the original editions in the ending section is a very exceptional way to end the book. Many have looked forward to David Beronä's book for a long time and there is no disappointment in any way, shape or form! It has it all!
4 of 4 people found the following review helpful.
Oddly enough, could use more words and fewer pictures
By Karl Janssen
In the early 20th century, a few innovative artists created visionary pictorial novels composed entirely of illustrations. The undisputed masters of the genre were the Belgian woodcut artist Frans Masereel and the American wood engraver Lynd Ward. These two artists, and a small group of followers inspired by their work, created wordless narratives of exceptional artistic and literary quality, which served as the precursors to the graphic novel as we know it today. In this 2008 study of the subject, David A. Beronä examines the work of eleven artists whose books were published from 1918 to 1951. In recent years, no other scholar has done as much to draw attention to and bring deserved respect to these influential works of art than Beronä. If anyone is qualified to write the definitive history of this art form, it's him. Unfortunately, this isn't it.
This book contains less than 45 pages of text. Chapter one, entitled "Historical Background," is only two and a half pages long. Each artist gets about two paragraphs of biographical information, with the exception of Masereel and Ward, who maybe get a page each. 90 percent of the text consists of Beronä summarizing the plots of the books, complete with spoilers. For each work, Beronä's synopsis is supported by roughly ten percent of each book's illustrations, from which he makes points about the artist's technique and choice of imagery. There are a few cases where he makes some insightful comments in regard to historical context, but mostly he's not telling you anything you wouldn't figure out from looking at the original works themselves. If you are interested enough in this art form to purchase a book like this, wouldn't you rather get the reprint editions of these wordless novels and "read" them yourself, rather than be told second-hand everything that takes place within their covers?
You can't go wrong with a book full of these stunning and powerful images, and they are reproduced beautifully. But the question is, how much of an education on the subject does this book really provide? What enthusiasts of woodcut novels and wordless books could really use is an in-depth scholarly study of the subject, with more concrete information on the artist's lives, the development of their techniques, the artists and writers that influenced them and who they in turn influenced, the creation and publication of their wordless books, and the historical context in which this art form was created. This should be supported by illustrations that show examples of the art, without giving you so many pictures, taken out of context, as to hinder your enjoyment of reading the actual works. If the purpose of Wordless Books is to inspire a readership of these works, how is this purposed served by telling us which characters live or die? The experience one gets from Beronä's study is roughly equivalent to trying to learn about the history of American literature through a series of Reader's Digest condensed books.
Beronä should be commended for his career of work on this subject, but all the promotional copy I've read on this book leads one to believe it is a definitive scholarly study of wordless books, which it is not. Instead, it's like reading a collection of the two-page introductions to the Dover reprint editions of many of these works. So why not just collect the Dover reprints, or seek out the works of these great artists through your local university library?
4 of 5 people found the following review helpful.
Perfect introduction to woodcut novels and wordless books
By Austin Kleon
David Berona has been studying wordless books for 20 years, but only in the past couple of years has the "graphic novel boom" of the industry allowed him to publish his research. In this handsome book he presents an introduction and sampler of the form's greatest works and artists in a clear, useful, and unpretentious manner. The images included are crisp and beautiful. This is a must-purchase for any fan of comics or narrative art.
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