Ebook The Comics: Before 1945, by Brian Walker
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The Comics: Before 1945, by Brian Walker
Ebook The Comics: Before 1945, by Brian Walker
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A comprehensive survey of fifty years of comics explores how such characters as Buster Brown, Krazy Kat, and Li'l Abner reflected societal attitudes and changes in the first half of the twentieth century, providing in-depth biographies of twenty-one influential comic creators and featuring rare orig
- Sales Rank: #312406 in Books
- Brand: Harry N Abrams, Inc
- Published on: 2004-10-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 12.75" h x 1.25" w x 9.63" l, 4.58 pounds
- Binding: Hardcover
- 336 pages
From Publishers Weekly
Something of a prequel to Walker’s already released The Comics Since 1945, this volume actually surpasses its companion’s considerable beauty and charm—if only because early newspaper comics were so whimsical and imaginative. Gorgeously illustrated, the weighty coffee-table book is organized by decade, allowing it to broadly contextualize the strips into the historical periods that gave them life. There are also brief, page-long bios of their most notable creators, among them Richard Outcault (The Yellow Kid and Buster Brown), Frank King (Gasoline Alley), Cliff Sterrett (Polly and Her Pals), Harold Gray (Little Orphan Annie) and Chester Gould (Dick Tracy). For the most part, however, Walker wisely steps back and lets the strips tell their own stories—a good decision since the one fault of the book lies in his prose, which tends to chug along with a kind of bland lethargy that doesn’t quite rise to the verve of his subject. While informative and factually interesting, his writing often contains all the vigor of a college textbook. But the strips themselves are perfectly chosen and lovingly laid out: from the fanciful slapstick of the Katzenjammer Kids to the protosurrealist dreamscapes of Windsor McKay’s Little Nemo and the obsessively reenacted dramas of unrequited love in George Herriman’s Krazy Kat.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
Walker follows his previous book, "The Comics Since 1945," with this similarly encyclopedic and sumptuously produced volume. He asserts that comics did not, strictly speaking, start with the Yellow Kid (whose nightshirt was at first blue). Nonetheless, the spectacular success of Richard F. Outcault's grammatically inept street urchin essentially inaugurated American comic-strip culture. Walker revisits such popular titles as "Blondie," a high-living-flapper strip that subsequently became a tale about everyman Dagwood Bumstead; "Li'l Abner," said by John Steinbeck to contain some of the best writing in the world; "Secret Agent X-9," originally written by Dashiell Hammett; and the nearly forgotten "Wash Tubbs," which featured a valiant but flawed do-gooder named Captain Easy, the prototype for the modern superhero. Over the next half century, comics gradually split into the two main genres still recognizable today: improbable adventure stories and situational high jinks.
Copyright © 2005 The New Yorker
From Booklist
In the first half of the twentieth century, the newspaper comic strip was arguably as important and influential as television is today, reaching millions of avid daily readers. Walker, cartoonist cofounder of the International Museum of Cartoon Art, presents a comprehensive chronological overview of the first five decades of the funnies. Emphasis isn't necessarily on the best-remembered strips, either classics that survive to this day, such as Dick Tracy, Flash Gordon, and popeye, or artistic triumphs like Little Nemo in Slumberland and Krazy Kat. For Walker also spotlights lesser-known gems, such as Cliff Sterrett's visually radical polly and Her Pals and Roy Crane's groundbreaking adventure serial Wash Tubbs, and even notes deserving obscurities: Frank Godwin's gorgeously rendered female adventure hero connie, for instance, and Crockett Johnson's delightful barnaby. The text is knowledgeable and informative, but the strips, faithfully reproduced from syndicate proofs, newspaper pages, and, in many cases, the original drawings themselves, rightfully predominate. This thoughtfully assembled partner to The Comics since 1945 (2002) belongs with it in any pop-culture collection. Gordon Flagg
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great compendium of comic art.
By Richard Hyman
Some strips are small making them harder to see, but more inclusion. Good clear images.
10 of 11 people found the following review helpful.
When Comics Were Funny
By Gord Wilson
And not just funny--witty, colorful, inventive, slapstick, adventurous--and eagerly awaited. Here's an oversized, hardback, full-color, coffee table book chock-full and brimming with the art of the funny papers. Brian Walker, son of Mort Walker (Beetle Bailey), not only draws comics but also mounts exhibitions of them. This book includes hand-colored originals from the Museum of Cartoon Art, as well as full page Sunday layouts. From the Yellow Kid and Hogan's Alley at the turn of the century to the wartime wonders of the 'forties, this is a coffee table book you can't put down. Retailing at $50, Amazon's price is about $30--a bargain and a steal for such a beautiful volume. Also check out Walker's companion volume, The Comics: Since 1945.
4 of 5 people found the following review helpful.
Great as a gift book and for the hard to please fan!
By Amazon Customer
Many time book stores will sell gift books that are all fluff with no meat in them. This book (I am happy to state) is not one of them.
Broken up by decade you get a treasure trove of strips, some everyone knows and some obscure but beautiful (you will often find yourself wishing for more).
The text pieces are insightful and the strips themselves both are chosen for the classic and the obscure.
Well worth it for the Amazon price!!!
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