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The designer toy explosion continues in Kidrobot’s second book, I Am Plastic, Too, which features a worldwide survey of the newest, rarest, and most sought-after toys. By offering designers, comic book artists, illustrators, and graffiti artists a new outlet for their creative energies, these toys become miniature works of art, collected and coveted by fans everywhere. Showcasing examples from more than 140 artists and companies from six continents, this book includes images of scarce, limited-edition toys and extensive interviews with 13 of the hottest designers working today. Many of the most popular creators from the first book are back, along with new faces such as Amanda Visell, Brandt Peters, eBoy, Jon Burgerman, Kathie Olivas, and Tara McPherson.
Praise for I Am Plastic, Too:
"The scope of these plastic critters, which range from the abstract to the downright lewd . . . is wonderfully surveyed." --The New York Times
- Sales Rank: #823388 in Books
- Brand: Budnitz, Paul
- Published on: 2010-10-01
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 1.25" w x 9.75" l, 5.14 pounds
- Binding: Hardcover
- 368 pages
- Used Book in Good Condition
About the Author
Founded by designer Paul Budnitz in 2002, Kidrobot is the premier designer and retailer of limited-edition art toys and apparel. They operate store-galleries in six cities and their products can also be found at select boutique retailers around the world and on their website, www.kidrobot.com.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Best Vinyl Toy Table Book
By Carol D. Ferrando
Even if you're not a Vinyl toy junky, you will enjoy this book. Amazing, amusing and very creative Vinyl toy creators.
2 of 2 people found the following review helpful.
A top pick for arts and social history collections
By Midwest Book Review
I AM PLASTIC, TOO: THE NEXT GENERATION OF DESIGNER TOYS provides Kidrobot's Paul Budnitz, who surveys the latest and most sought-after toys around the world. Examples from over a hundred toy artists and companies offer images from the hottest world designers and considers the evolution of the designer toy movement in a top pick for arts and social history collections.
3 of 4 people found the following review helpful.
Dazzling Designer Toys
By Shellie
With I Am Plastic, Too: The Next Generation in Designer Toys the exploration of the designer toy phenomenon by Kidrobot's Paul Budnitz picks up from where his first book left off. And much like the first I Am Plastic, Too is a highly personalised overview of some of the best art toys created in the past few years; ranging from vinyl and resin figures to those made from wood, and even a small selection of plush toys. The book also focuses on one of the latest and most exciting developments in designer toys, the production of one of a kind custom figures. These custom figures are unique signature objects and often run into the many thousands of dollars in cost, and as a result are greatly desired. This has required the regional production of these one off toys also undergo a shift of focus from East Asia to the West (primarily America) where the vast majority of artists now live and work, and that too is reflected in this book. Making a selection of art toys for inclusion in this book was always going to be a difficult task, for compared to even three years ago there's a plethora of new artists working in the medium so inevitably some were going to be included and others excluded. Of course this choice was made easier by the fact that Paul Budnitz has a highly idiosyncratic, particular and eclectic taste that is unmistakably his. But for me the great beauty of the designer toy phenomenon is that not every artist is going to appeal to every collector, some will have favourites whose output they follow avidly and others they aren't especially interested in. And as these artists come from a diversity of creative backgrounds who each have their own unique aesthetic and who come from nearly all corners of the globe that ensures there will be a wide range that caters for all tastes, no matter how unusual they might be. The toys covered range from those solely created by individual artists to classic series such as the Dunny and Munny by Kidrobot, and the Qee by Toy2R. Some of the talented artists included in this book are Amanda Visell, Julie West, Kathie Olivas, Junko Mizuno, Andrew Bell, Marka27, Doktor A, Huck Gee, Joe Ledbetter, Peskimo, Bunka and Mori Chack. Companies, brands and artists collectives are all included from Kidrobot, Strangeco, Tokidoki and FriendsWithYou to Artoyz and Crazy Label. Relevant info, facts and websites are given as well as several fascinating interviews which are interspersed throughout the book. To me the inclusion of vinyl figures based on trademarked characters created by Matt Groening seems a little incongruous in the same book as those created by artists whose work is extremely quirky, unusual and often unsettling. He may be an incredibly creative individual but I don't see how Simpsons or Futurama figures created by a man with a multimillion dollar empire are any different to the mass produced Garfield or Smurfs figures that I collected when I was a kid, and perhaps I'm wrong, but somehow they don't seem to fit in with the whole artistic outsider ethos that for me designer toys embody.
Designer toys are a lowbrow avant-garde form of expression that uneasily straddle the worlds of art and commerce; they are art objects yet commercial products sold through specialised retail outlets, but in a strange way cleverly subvert the whole consumer process from within. Paul Budnitz has carefully selected an exhaustive cross-section of artists that are representative of the various trends in designer toys today, and even if you don't like all of them there will most definitely be others whose work is pleasantly new to you. Beginning with artists from the United States it then moves eastward to Japan, China, Europe and lastly the rest of the world. I Am Plastic, Too: The Next Generation in Designer Toys shows that the art toy movement is in a constant state of flux, renewal and transformation and hopefully this will keep the movement healthy, vibrant and true to its creative roots well into the foreseeable future.
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